Watch online Movie Life Goes On

Movie Preview: Life Goes On

Banner: Sangeeta Pictures

Director: Sangeeta Datta

Star Cast: Soha Ali Khan, Girish Karnad, Sharmila Tagore, Om Puri

Preview: Real life daughter and mother - Soha Ali Khan and Sharmila Tagore– are together in the movie called Life Goes On. The movie is based on the psychological after-effect of partition of India on various individuals .Many Indians who left their riches in Pakistan ,suffered the partition trauma and they find it difficult to forget the incident.

The movie is about a family in U.K. The father Sanjay is from Indian origin and his wife is Manju, and he has three young daughters .One day suddenly the mother of the three daughters dies. The youngest daughter is in love with a Muslim boy and the father who tries to get close to the three daughters, find it shocking. The story starts from day one to the five days of funerals.

Sanjay remembers all his past and as he tries to get close to the daughters, he is shocked to find that the youngest Dia has a Muslim boyfriend. He gets confused and angry and he goes out in streets for a night .He remembers his past .The incidents of 7/7 and Iraq war is shown in the movie.

He is tired and watches the sun rise as he is sitting on the bench at Hampstead Heath and he forgets all the past and at the funerals he allows the Muslim boy to join the rituals in the family.

The film shows Sanjay and Dia in the contours of Shakespeare’s King Lear and cordelia.

Watch Online Band Baaja Baarat Movie Review

• Movie Name : Band Baaja Baaraat
• Release Date : 10-Dec-2010
• Cast: Ranveer Singh, Anushka Sharma, Manmeet Singh
• Director :Maneesh Sharma
• Producer : Aditya Chopra

The new movie Band Baaja Baarat starring Ranveer Singh, Anushka Sharma, Manmeet Singh is a social drama movie.The movie is directed by Maneesh sharama and Produced By Aditya Chopra.This is story of two wedding planners Shruti played by Anushka Sharma and Bitto played by Ranveer Singh.The new on-screen couple is looking beautiful and has a charm in their acting in the movie.

Ranveer singh as a bitto played a role of a guy who is innocent and duffer in the matter of love and heart, and belongs to a small town.He is a good hearted guy, and likes to eat a lot.He is a guy who doesn’t know how to pronounce business but is perfectly smart when it comes to actually running the business.

In the first half both bitto and shruti is busy in their business of wedding. Shruit is a ambitious girl and want to organized multi-corer Sainik Farms weddings.
In the second half there is lot of drama and fighting, item number for the audience.The movie is entertaining and you will definitely enjoy when you will watch this movie.

No Problem Movie Review & Rating. Free Download No Problem Movie Songs & Trailers

No Problem The film’s comedy flick that revolves around three characters Yash (Sanjay Dutt), Raj (Akshay Khanna) and Inspector Arjun Singh (Anil Kapoor). In Durban, Yash (Sanjay Dutt) and his best friend Raj (Akshay Khanna) are two small time thieves, the former want to start over with an honest life and the latter wants to continue living life as a thief with his plans always Raj’s plans. Yash rob a bank, but that also suspicions on their neighbors and bank manager Zandulal (Paresh Rawal), that he robbed the bank.

Also in Durban, the Inspector Arjun Singh (Anil Kapoor) a quack cop who is always on his wife Kajal’s (Sushmita Sen) hit list. Kajal is the daughter of police commission (Shakti Kapoor), and has developed a severe case of multiple personality disorder, mainly due to discover that her husband is a zero, not a hero. Arjun is chasing after the Marcos (Suniel Shetty), who’s gang robbed diamonds worth millions of the dollars, Raj falls in love with the Kajal’s younger sister Sanjana (Kangana Ranaut), and soon a madcap chase follows, forming the crux of this comedy.

Watch Online Movie Golmaal 3

By Satyen K. Bordoloi Cast: Kareena Kapoor, Ajay Devgn, Mithun Chakraborty, Kunal Khemu, Tusshar Kapoor, Arshad Warsi, Johny Lever, Ratna Pathak-Shah Director: Rohit Shetty Rating: *** It is touted as the first trilogy of Indian cinema. It's about time that the distant cousin of Hollywood had one. Yet, what's important is that Bollywood did not need to have trilogies as one hit film has the habit of spawning a whole generation of films that look and feel like the original. "Golmaal 3" also suffers from that syndrome. Thankfully, it only feels like its previous avatars. Despite retaining most characters from its previous outings, "Golmaal 3" enters a hitherto uncharted territory. Madhav (Warsi), Laxman (Khemu) and Lucky (Kapoor) are the three scheming sons of Pritam (Mithun) who manage to lure Vasooli (Mukesh Tiwari) into one scheme after another. However, as luck would have it, in everything they start, they find competition from three other down-on-their-luck kids Gopal (Ajay Devgn), Laxman (Shreyas Talapade) and Dabbu (Kareena Kapoor) with funding from Puppy bhai (Johnny Lever). Gopal and Laxman are the sons of Geeta (Ratna Pathak Shah). Inevitably, locking horns they end up destroying each others businesses. What the two groups don't know is that their parents are unrequited ex-lovers. When Dabbu finds out she schemes and unites the two lovers in a marriage without letting their children know about their step-brothers. All hell breaks loose when they finally find out and a hilarious war engulfs between the two groups right under their parents noses. Like its predecessors "Golmaal 3" has enough laughs going through the film to keep the momentum. Johnny Lever as the Ghajini-style forgetful don who adopts a new filmy avatar every few minutes has the audience in splits. The few spoofs of old Hindi films, full of camera pans and quick zooms, will nostalgically tickle the funny bone. The twists of various popular phrases and known adages, raises more than a chuckle. Mithun gets to do his "Disco Dancer" once again. Theatre veteran Ratna Pathak-Shah waltzes through the film with aplomb. Arshad Warsi is his usual tapori self while Shreyas Talapade and Kunal Khemu do a good job. It is however the beefed up Tushar Kapoor who seems to be trying too hard, and despite raising giggles, fails to arouse laughter. In the first part he, looking the most vulnerable, was the funniest of the lot. Director Rohit Shetty tries his best in merging comic vignettes into one comprehensible film. However, had it not been for the funny dialogues, his lack of directorial verve would have shone out. He is spared the fate by some ingenious dialogue writing by Robin Bhatt ("Aashiqui", "Sadak", "Baazigar") and Yunus Sajawal. Now that Bollywood finally has a trilogy, will it please also make one that also has some real standing in the world of cinema?

Watch Online Movie Anjaana Anjaani

Director: Sidharth Anand Producer: Sajid Nadiadwala Cast: Priyanka Chopra, Ranbir Kapoor, Zayed Khan Stars: *** The challenge that film walas set themselves in today’s day and age is to create new parameters and break all the rules of traditional Bollywood film-making. And while they experiment, the audiences are served with a fine smorgasbord of feisty films to titillate their palette. The experiment that director, Siddharth Anand, has tried in Anjaana Anjaani, is to use just two major characters in the entire film - Ranbir Kapoor (Akash) and Priyanka Chopra (Kiara). Both these gorgeous young people have been beaten by life and decide to end it all by jumping off the New York Bridge. Of course they don’t finally do anything of the sort but make a decision to spend twenty days of their lives doing “things they have always wanted to” (now haven’t we heard that in a billion Hollywood films? The Bucket List leaps to the mind) While fundamentally the script does have only two characters interacting with one another, changing each other and impacting each other’s lives, but there are a host of peripheral characters that make their appearance, sometimes to take the story forward, sometimes to provide the background of the characters of Akash and Kiara. Akash, an investment banker feels that he is a failure because he took huge business risks thereby sinking the business and his partners as well. Kiara, on the other hand, has had a failed relationship with a lifelong partner. Fed up, they both decide to commit suicide by jumping off a bridge. However, both land up on the same bridge at the same time. Anjaana Anjaani, is a fun film but it tries too hard. After the interesting start, it falls into the rut of the couple hitting the road, having a great time and falling in love with each other, and then (surprise!) deciding not to commit suicide. Yes, they strengthen each other in many ways, more so by helping each other to get in touch with their deepest desires and fears, thus while exploring the other, and they also come face to face with a few things about themselves. Ranbir Kapoor is spectacular but one can’t say the same about Priyanka, who seems to be showing the pressure to perform. Basically, there’s an overdose of cuteness by Piggy Chops, which can get a bit over the top sometimes. The movie seems to be the college goer’s delight, and aimed at that class, since the lifestyle that every yuppy would aspire for is all there. Though how, when Kiara is out of a job and Akash, bankrupt, can the couple afford their trips to Las Vegas and boating trips in the Atlantic, is anyone’s guess. But these are a few minor glitches and you aren’t supposed to ask these questions anyway. You are expected to just sit doing ‘awww…’ at the cute couple; wishing you were there when they get drunk on beer, go party hopping, gamble at the casino, go to all night parties and what have you. Basically, though the surmise is different, there’s really no meat on the bones of the film. The whole suicide bid scene by the couple, which by the way, carries on for pretty long, as they make one failed attempt after another, is just not serious enough. After all, it’s pretty serious to want to kill yourself, right? You have to be pretty sad to want to do it, right? So what are all the fun and games about? But that’s just another question you are not supposed to ask. Siddharth Anand has handled the movie with style. He’s aimed at the young city Indian and I’d say a lot of sweet young things are going to love this film. The look and feel is slick and stylish, with lots of trendy locales and situations. Both the protagonists look very hot, (though now that we are on the topic, about it, what has Priyanka done to her lips? There’s a permanent pout there.) Ranbir does an uber hot, bare chested, muscled appearance; he also does a pole dance, in a gay bar, where he strips with abandon. In fact, judging by the number of gay jokes and the fact that he’s lusted after by so many gays in the film, it appears that the attempt is to make Ranbir a pin up boys for the gays as well as the girls! The end is predictable and falls into the rut of the love stories. The dilemmas are resolved, both Kiara and Akash decide to face their demons and go their separate ways. Finally they realize that they cannot do without each other (of course the realization comes during a long and tedious song sequence). Then comes…what else?...the chase to the airport, the race to the meeting spot, and voila! The lovers unite, and the audience goes, ‘sigh!’ Sweet! Nice music by Vishal Shekhar, great weekend watch for the younger lot! Final word? Shall we just say that Anjaan Anjaani is Chicken Soup for the Romantic Urbanites Soul

Watch Online Movie Crook

By Subhash K. Jha

Starring: Emran Hashmi, Neha Sharma, Arjan Bajwa

Directed by: Mohit Suri

Rating: **

Damn! Why didn't we think of sending the amazing super-hero Emran Hashmi to Australia before? Emran Saab's solution to global malevolence as provided in this disappointing mismash of masala and headlines is simple enough.

It's good to be bad. So says the smooth-sayer. Fair enough. If only the director had not decided to apply the motto to the treatment of this film.

At last our revenge on the Aussie attacks. This film is the ultimate comeuppance for the Australians… those so-and-sos who have been maltreating our hapless students who go to the firangi land to garner education and come back black and blue.

Blue is the colour that director Mohit Suri favours for his lurid leery look at gori babes in Melbourne. There's a gori chick and a brown chick for the Chick-let hero to chose from. He sleeps with the former and falls in love with the latter. As simple as that. Indian women are to revered. Foreigners are to be… you know!

In trying to do a ferocious flag-waving trick over the complex issue of racism and colour prejudice, "Crook" ends up making the Australian population look like a bunch of psychotic killers bashing and burning the good desi boys who have gone Under to gain gyan. Is this Australia or Chicago during the Prohibition?

But wait. Suddenly the script decides to tilt the imbalance. Now the goras are not that evil. It seems Indians too create an obstinate culture block when they go abroad. They just don't know how to blend.

Thoroughly confused in its politics, "Crook" is one of those films that attempts to combine conviction with entertainment and falls between the two stools in the absence of those tools that lend skilful curves and slants to the storytelling. The narrative is uneven lopsided and askew. The pace goes from sluggish to frantic within a few reels providing us with no space to observe the characters' motivations beyond a cursory glance.

Mohit Suri who revealed a substantial grip over his material and characters in "Kalyug" here seems undecided about where to take his plot. The people who populate the storytelling seem to start off on page 1 of the newspaper and then head towards the cartoon section.

Technical aspects, another strong aspect of Mahesh Bhatt's films, are on this occasion just about okay.

The performances miss the intensity of Bhatts' "Gangster" and "Kalyug" by a wide margin. But Neha Sharma makes an expressive Hindi-cinema debut.

As for our super-hero … Move over, Rajnikanth. Emran Hashmi is more robotic in his expressions than you can ever be.

Watch Online Movie Aakrosh

By Satyen K. Bordoloi Starring: Ajay Devgn, Akshaye Khanna, Paresh Rawal, Bipasha Basu Directed by: Priyadarshan Rating: ***1/2 Caste based atrocity is one of the worst, chronic and a few millennia old injustice of the world. Yet its continuing prevalence, especially in India, is one of its best kept open-secrets. India's vibrant cinema has paid scant attention to it. The commercial venture "Aakrosh" comes as a late but welcome populist attempt to correct this gross neglect. After three Delhi medical students disappear from a village in Bihar, two CBI officials Sidhant (Akshaye Khanna) and Pratap (Ajay Devgn) are sent for investigation. They encounter not just an inefficient police, but an openly antagonistic one. Their attempts to uncover the truth lays bare a Pandora's box of corruption, illicit power-play, ruthless casteism and murders and abductions to maintain the status quo. When all official means fail to bring the guilty to book, the two committed men are left with no course but to resort to every alternate means possible to deliver justice in a failed state. "Aakrosh" is loud and sometimes crass in typical Bollywood fashion and, as they say, its fiction. What it is not - is a lie. In its own way, it lays bare the power structures that obstruct justice and thus the true growth of India, all because of the corrupt collusion of the police, bureaucracy and politics that uphold age old casteism. The film thus uses a lie to tell the ugly truth of our society. "Aakrosh" is also rife with analogies. The Batman and Robin team of Sidhant and Pratap is a team of an upper-class Brahmin and a lower-caste Dalit fighting for the same cause but in their own ways. When the straightforward methods of the no-nonsense Brahmin fails, they have to resort to the street-smart ways of the Dalit to bring the guilty to book. This is perhaps a message to the subjugated masses of the country that justice has to be delivered at any cost, and it is the oppressed that have to use any means available to do so. There are factual inconsistencies, like the brazen manner in which the local police insubordinates a CBI inquiry. Akshaye Khanna is unconvincing while Ajay Devgn is believable as the quiet but angry ex-army major who has suffered the consequences of being a Dalit. Paresh Rawal, the master-key like actor who slides into any role, plays a slimy but smiling police officer with aplomb and epitomizes the rarely acknowledged truth, that in rural areas the police is not part of the solution, but is often the main problem. Robin Bhatt and Akash Khurana's writing is crisp and direct. They spare the audience needless preaching, thus giving the message that it is time for some action and justice instead. Sometimes you have to like a film just because its heart is in the right place, and because it dares to say something few have said before. "Aakrosh" is one such convincing film whose demerits are swept under the carpet of its boldness. Of course, even a commercial venture like this cannot correct a few thousand years of injustice. But at least it can hold a mirror to the disgust in our society. Thankfully, if not gracefully enough, Aakrosh holds a correct and sturdy mirror.

Watch Online Movie Hisss

Cast: Malika Sherawat, Divya Dutta, Priyanka Rawat, Irrfan Khan, Jeff Doucette Director: Jennifer Lynch Rating: ** 1/2 Mallika Sherawat has sizzled on screen again with her ‘naagin’ avatar in Hisss, which got released today both in India as well as in other counties. The movie is all about the usual revenge taking story of a female snake, played by the sexy Mallika. Her partner was taken away from her by an American scientist when they were in the most pleasant situation of mating. Jeff Douchette plays the scientist, George States, who dares to enter this forbidden jungle in the Malabar Coast. Unable to gauge the result of his act, he takes to his hi-tech lab for conducting experiments on it. He is unaware of the fact that the female counterpart of this python sized cobra is hunting for her partner and is in mood of taking revenge from the entire human civilization in the cities. One will surely enjoy the transformation of a snake to a strikingly beautiful and attractive woman (Mallika Sherawat). Her desperate search for her lover makes her full of vengeance and she instantly becomes ready with her fangs to destroy any person coming her way. Mallika has played the role of a snake woman very convincingly as she was seen kissing and licking her partner, the great cobra. She also shed the bare essentials she used to wear for the sake of turning a ‘naagin’. Irrfan Khan in the role of a detective called Vikram Gupta keeps chasing this sexy killer ‘snake woman’ and he is in his usual form. We can’t term it to be an excellent performance. A talented actress like Divya Dutta has nothing much to do in the film but she has enacted it sincerely. Lots of special effects can be seen, which never have seen in Bollywood earlier. The later part of the film will reveal whether ‘naagin’ becomes successful in taking her revenge. Even though lots of hype was created about the nude scenes of Mallika, there is nothing new or exciting to watch in the film. The new generation that has grown up listening to the ‘Ichchadhari naagin’ stories might just give a look at it but that may also go above their heads. It’s just an effort to revive the ‘naagin’ stories, which have hardly any relevance in today’s life. Well, if you want to feel frightened by those sexy and angry lenses of Mallika then go ahead in this weekend for Hisss!

Watch online Movie Rakht Charitra

By Subhash K Jha Starring Vivek Oberoi, Shatrughan Sinha, Abhimanyu Singh, Radhika Apte, Zarina Wahab Directed by Ram Gopal Varma Rating: *** ½ Like exhilaration appreciation and charity, injustice has no bounds. Ram Gopal Varma’s Rakht Charitra is arguably the most violent Indian film ever made. Humanbeings get their heads crushed in sugarcane grinders (this sequence comes long before Darshan Zariwala playing a contented cop, sucks benignly on a piece of sugarcane), heads are crushed with large boulders (easy enough, considering the film is shot on rugged rocky terrain) legs and hands are chopped off with sickles and hatchets…In brief, human life seems to be snuffed purely for anarchic purposes. The violence in Varma’s new film could be considered overpowering in another context. Not here. Not this time.Violent tension is the crux and the core spirit of Rakht Charitra. You cannot take away the arms from the man, unless it’s one of those aforementioned limb-choppers at work again.Ouch. Returning to a territory that Ramu knows by heart (if heart is the space you can mention in this film’s extra-aggressive context) the director has fashioned a bludgeoning homage to Coppola’s The Godfather. This is the Sicillian mafia transposed with frenetic fluency into the semi-rural Andhra milieu where the caste system fosters the most barbaric acts of violence that man has ever conceived. Varma doesn’t flinch from the sight of unimitigated brutality. Often you wonder if the dark recesses of the subconscious that Varma manifests are actually the spaces that the director enjoys peering into. But then when you look closer into the eyes of his ravaged and ravaging characters, you see profound regret and fear barely dicernible to the naked eye. As usual Varma’s cameraman (Amol Rathod) treats the masculine hinterland like a voyager walking through virgin territory with proprietorial arrogance. The semi-rural setting is captured in lazy greys and toasted browns. These are colours that are typical of Varma’s badland where marauders from the world of politics and crime rub shoulders. The mayhem is disturbing in its majesty.Remarkably Varma avoids slow-motion slayings.The hardhitting impact of the killings comes from the normal tone and unadorned shot takings which signify a disturbance in the environment too deep to be dramatized and yet too fascinating to be ignored. In one sequence while the villain Bukka (Abhimanyu Singh, outstanding) crushes a victim’s leg, Bukka’s mother casually leaves for a prayer meeting truning around to ask her son if he’d like to accompany her. Humour in unique-form? Drama there is in plenty in the narrative. Taking Coppola to the Naxalite belt couldn’t be easy.Varma has earlier taken The Godfather to the underworld (in Company) and to the world of extra-constitutional politics (Sarkar). In fact many of the domestic scenes in Rakht Charitra with the ladies of the house cooking and serving meals impervious to the murderous discussions on the dining-table, remind you of Sarkar. However the familiar tone and territory do not assume a lack of novelty in the narrative. Though Ramu walks the known path in Rakht Charitra he nonetheless infuses the drama with layers of virgin velocity. The introduction of Shatrughan Sinha’s character as a wily star- politician who uses Pratap (Vivek Oberoi) to settle his own scores, comes at a very clever juncture in the plot when the narrative could lose momentum. Sinha’s imperious politician’s part is an act of bravura done as a sly homage to Andhra Pradesh’s immortal neta N T Rama Rao. Besides Shatrughan Sinha, Zarina Wahab, Sushant Singh, Ashwini Kalsekar and the unknown actor Omkar who plays the Muslim casualty of Bukka’s barbarism are unforgettable in their expressions of elemental angst. Some sequences such as the villain Bukka’s murder in a congested apartment in Hyderabad are done with such savage grace that you wonder if the director has entered the territory to savour its shock-value along with the audience. After Bukka is gunned down Pratap’s men leave the apartment turning around to throw a ball back at mute child.Innocence during the time of retribution? The film’s all-too-familiar drama of doom and depravity is delineated with demoniacal passion. While Vivek Oberoi turns in a restrained performance, aligned and aggrandized by a smouldering sense of injustice and vendetta, Abhimanyu Singh as his utterly depraved adversary turns in an amazing animalistic performance. In his savage bestial and psychotic affinity to self-gratification Abhimanyu Singh is the most terrifying villain seen in Hindi cinema.Take bow, Mr Brute.That’s quite a rousing performance there. Men being yanked out of rickety busses in the middle of the wilderness as women watch helplessly…such are the nightmares on which a society founded on inequality renews its licence to kill the human spirit. Varma excels at conveying the despair of the damned. Not much room for tenderness here. But hang on. Varma weaves a sweet little love story between our outlawed hero Pratap and his college sweetheart (Radhika Apte, expressive and endearing). How he creates space for sensitivity in a canvas cluttered with brutal creatures, is a miracle. Rakht Charitra enters a world of oppressive lawlessness. It chokes the very breath out of every definition of justice and benevolence and makes the comic violence of the badland in Dabangg look like a bad joke. Yes, Ram Gopal Varma is back in ferocious form. Not much to rejoice here. The joy of watching a film on people on such a joyless journey into self-destruction is in picking those shards of broken glass out of our savagely mutilated social order. And yes there’s the jot of watching Vivek Oberoi return to the intense form he had displayed in his debut performance in Varma’s Company.

Watch Movie Online Jhootha Hi Sahi

Starring: John Abraham, Pakhi, Raghu Ram, Manasi Scott, Anaitha Nair, Omar Khan, Alishka Varde, George Young, Prahsant Chawla, Madhavan, Nandana Sen Director: Abbas Tyrewala Rating: *** Who says lying is bad? Watch Jhootha Hi Sahi and you will come to understand that lying will get you everywhere. In the twenty first century when everyone is desperately seeking their soul mate, lying is perhaps the best way to find that perfect someone for yourself. After the phenomenal success of Jaane Tu Ya Jaane Na, Abbas Tyrewala is back with his next romantic comedy about a simple guy who lies his way to love. John Abraham plays the role of Siddharth aka (Sid) who runs a bookshop in London with his Pakistani friend Omar (played by Raghu Ram). In true Bollywood style the bookshop is called ‘Kagaz Ke Phool’. Sid is already in a committed relationship with Krutika (Manasi Scott), who controls all aspects of his life. Accidentally, Sid’s phone number gets listed on a suicide helpline flier and he starts getting calls from unknown people attempting suicide. Being the good guy that our hero is, he starts counseling these lost souls. One night Mishka (Pakhi) calls up the suicide helpline and Sid stops her from committing the act. The two become good friends and start having regular phone conversations every night. One day Mishka comes to Sid’s bookshop, Sid recognizes her immediately but Mishka cannot. The duo start dating, John puts up a nice double act in this movie. During day he dates Mishka as the stammering bespectacled geek while in the night he has phone conversations with her as a confident young man. The movie has the light and fresh feel of the Tom Hanks, Meg Ryan starrer ‘You’ve Got Mail’. Will Mishka forgive Sid when she finds out about his lies? You will have to find that out for yourself. The film has strong ensemble cast that has put up some really good performances. John Abraham looks convincing in his guy-next-door appearance. Raghu Ram of the ‘MTV Roadies’ fame puts up a commendable act with his superb comic timing. The scenic beauty of London and its locales are used extensively to add to the fresh appeal of the film. AR Rahman’s music does a bang-up job and stays in your mind long after you leave the movie hall. However the movie gets tad bit boring in the end thanks to its extended and over-the top climax. Overall Jhootha Hi Sahi is the perfect weekend rom -com to watch with your family and friends.