2009 may not have begun on a good note for Akshay Kumar, what with the debacle of CC2C, but Republic Day (Jan 26) brought in some good news for the superstar. Akshay Kumar was awarded the Padma Shri by the Govt. of India for his contribution to cinema.
Apart from Akshay, Aishwarya Rai Bachchan was also the proud recipient of the Padma Shri, regarded as one of the top civilian honors in the country.
Akshay Kumar may not have won many awards in his illustrious career but this honor coming from the Govt. of India surely means a lot to the 'Kinng' of Bollywood. As for Aishwarya, she has made the entire Bachchan parivar proud with this achievement. After Shri. Harivanshrai Bachchan, Amitabh Bachchan and Jaya Bachchan, Aishwarya becomes the 4th family member of the Bachchan parivar to receive the Padma Shri.
Besides Akshay and Ash, veteran actress and dancing queen of yesteryears Helen was also bestowed with the Padma Shri for her contribution to art and cinema.
From the field of music, playback singers Kumar Sanu and Udit Narayan, Ghazal singer Penaaz Masani and music composer Pandit Hridaynath Mangeshkar also made it to the list of Padma Shri awardees this year.
Wednesday, January 28, 2009
Akshay Kumar and Aishwarya Rai bestowed with Padma Shri honour
Delhi 6
Cast: Abhishek Bachchan, Sonam Kapoor, Waheeda Rehman, Om Puri, Amitabh Bachchan |
Luck by Chance
Cast: Hrithik Roshan, Farhan Akhtar, Rishi Kapoor, Konkona Sen Sharma, Isha Sharwani, Dimple Kapadia, Juhi Chawla, Sanjay Kapoor, Aly Khan |
Raaz Ki Baat: Coming soon, Raaz 3
By Subhash K Jha |
4 reasons why 'Raaz TMC' worked
I want to pose this question to lots of film producers out there who, for some strange reason, shy away from making horror films. Why doesn't Bollywood churn out horror films like the East and West do with amazing regularity? In the 1970s and 1908s, the genre was limited to Ramsay brothers and Mohan Bhakri. The low-cost films never had a dearth of buyers [yes, the distributors would pick up the rights the moment Ramsays announced them] and the success ratio of horror films was quite strong too.
With Ramsays deciding to try their luck on the small screen, the genre was as good as forgotten, till Ramgopal Varma decided to give it a try with BHOOT [almost a decade after he attempted RAAT]. Yet, the genre never took off, like comedy films after David Dhawan's AANKHEN and Rajkumar Hirani's MUNNABHAI MBBS did.
Last year, RGV's PHOONK and Vikram Bhatt's 1920 were well-received, while the response to the new release, RAAZ - THE MYSTERY CONTINUES, is equally strong. In fact, the distributors were so convinced of its prospects that they decided to give it a wide release [almost 900 screens in India], which speaks for itself.
Ample reasons why RAAZ - THE MYSTERY CONTINUES had a great start…
* The Bhatts are synonymous with qualitative films. Their small, low-cost films have big stories to tell. That's Reason No. 1 for the film to open well.
* The music in their films has always worked to their advantage. Right from AASHIQUI to DIL HAI KE MAANTA NAHIN, from RAAZ, MURDER and GANGSTER to AWARAPAN, JANNAT and RAAZ - THE MYSTERY CONTINUES, the movies have been embellished with a lilting score.
* The genre. Horror films have a good market and the youth especially throngs the cineplexes if the film has the right amount of thrills and chills.
* Emraan Hashmi. He has developed a sizable fan-following amongst the young brigade. Of late, the fans have only multiplied, courtesy films like AWARAPAN, JANNAT and now RAAZ - THE MYSTERY CONTINUES.
Also, the release timing was perfect. A 4-day weekend is every film-maker's dream and if it happens, it's a bonus. Of course, the merits count too, else even a 5-day weekend wouldn't help. In this case, the 4-day figures are impressive and RAAZ - THE MYSTERY CONTINUES is already on the right track -- the track that leads to success.
SLUMDOG MILLIONAIRE is having a dream run in America, U.K. and Australia and everyone was hopeful that the Danny Boyle film would strike gold in India too. The film started slow, but the collections have shown an upward trend at major plexes across major stations.
According to an official statement received by this writer from Fox Star Studios, SLUMDOG MILLIONAIRE has grossed over Rs. 13.5 crores in its opening weekend across 351 screens in India. Good!
AASMA, released alongside RAAZ - THE MYSTERY CONTINUES and SLUMDOG MILLIONAIRE, was relegated to the backseat completely. The film wasn't in the public eye, in the first place.
Sunday, January 25, 2009
Raaz - The Mystery Continues
Rating: ***1/2
The team behind Raaz - The Mystery Continues have often clarified that it's not a sequel to RAAZ, one of the most interesting cinematic experiences, besides being the biggest Hit of that year. Yet, you cannot but draw parallels with the first film of the franchise.
Horror as a genre hasn't been tapped to the optimum in India. We've witnessed spooky fares in the past and some of them have succeeded in making you break into a cold sweat (BHOOT stands tall in this list). Last year's PHOONK and 1920 were scary movies as well.
There's tremendous curiosity to watch Raaz - The Mystery Continues, but does it scare the living daylights out of you? Fortunately, yes!
The story (Mohit Suri) is absorbing and Mohit treats the subject like a veteran, as if he knows the genre very well. There're moments that make your heart beat faster, you watch the events with eyes and jaws wide open.
Sure, there're blemishes as well, but they don't overpower the plusses or make you change your opinion about the film. While the beginning and the middle of the film is engrossing, it's the end that could've been better thought of.
Wanna get scared? Wanna get goose pimples? Buy the ticket for Raaz - The Mystery Continues pronto. It lives up to the hype and expectations completely.
A brooding artist Prithvi (Emraan Hashmi) experiences mysterious and distressing visions about Nandita (Kangna Ranaut), a woman he has never met, while he paints on canvas. Intrigued by these visions, Prithvi tracks her down and warns her that these are not merely paintings of her, but accidents that are waiting to happen.
At first, Nandita refuses to believe him and dismisses him as an eccentric stalker. However, the striking resemblance between Prithvi's paintings and the near-death incidents in her life is hard to ignore.
Now, one of Prithvi's paintings has revealed her as dead. The only way she can change her fate is to unravel this mystery with his help, at the risk of alienating herself from her boyfriend, Yash (Adhyayan Suman). But he refuses to believe in Prithvi's premonitions. Will Nandita risk her love and her life to unravel this mystery?
Most of us have heard, witnessed or perhaps had a first-hand experience of supernatural. The present-day generation may, perhaps, term it as wild imagination or hallucination, while the believers may have their point of view. Mohit and screenplay writer Shagufta Rafique's characters in Raaz - The Mystery Continues are believers and non-believers, both.
Mohit smartly builds up the atmosphere. Sample these: Emraan and Kangna's first encounter at a mall and minutes later, inside an elevator; the New Year bash when Kangna is 'attacked' by spirits; Kangna's experience in her bathtub and also when she looks at the mirror; Kangna almost jumping off a cliff; the highpoint sequence, when angry bulls attack Emraan and Kangna. Incredible sequences all! Mohit has handled the most difficult portions with panache.
However, the entire flashback part, towards the pre-climax, is not as convincing. The ending too could've been better in terms of writing, although Mohit has filmed it exceptionally well.
Mohit's choice of the subject as also the actors is right. This is, without doubt, his finest effort to date. Shagufta's screenplay is watertight at most times. Like always, the Bhatts come up with a lilting musical score and at least two songs -- 'Soniyo' (Raju Singh) and 'Maahi' (Sharib-Toshi) -- are first-rate compositions. Ravi Walia's cinematography is up to the mark. The effects are impressive.
On the acting front, both Emraan and Kangna vie for top honours. Emraan is excellent. He conveys a lot through facial expressions and that's the sign of a proficient actor. He's just getting better and better with every film. Kangna is top notch.
After FASHION, this one's another power-packed performance from the actress. Adhyayan Suman is super-confident and registers a strong impact, especially towards the climax. He shows promise. Jackie Shroff is quite okay in a brief role.
On the whole, Raaz - The Mystery Continues is rich in the horror quotient and that is one of its major USPs, besides the highly competent performances by its principal cast and a lilting musical score.
At the box-office, this one will continue the winning streak of Mahesh Bhatt and Mukesh Bhatt's Vishesh Films. The 4-day weekend (Monday, January 26 in a holiday) will only cement its status further. Go for it!
Kangana opens her mouth
The unconventional looking Kangana Ranaut has made it in Bollywood her own way, but she still remains controversy's favorite child. |
Big B does a volte face on Slumdog Millionaire
"The sound engineer of this wonderful movie 'Slumdog Millionaire', Rasool, an Indian, has also won a nomination along with Rahman. I am so happy. Bhanu Athaiya was the last Indian to win an Oscar for the designing the costumes of Richard Attenborough's 'Gandhi' in 1982," Bachchan said at an overflowing venue at the Jaipur Literature Festival.
Referring to his comment regarding "Slumdog Millionaire" that "the film projects India as Third World's dirty underbelly developing nation and causes pain and disgust among nationalists and patriots", he said: "I write a blog.
But the opinions expressed in my blog were not my own. So many people write on my blog site and I was just quoting one of them. I have spoken to Anil Kapoor and Danny Boyle and cleared the misgivings. But everyone must have freedom of expression."
The superstar was here for a day to release his biography, "Bachchanalia: The Films and Memorabilia of Amitabh Bachchan", spanning 40 years of his career in the Hindi film industry.
The book - co-authored by Mumbai-based author Bhawana Somaaya and the Mumbai-based auction house and archive OSIAN's Centre for Archiving, Research and Development (CARD) wing - is the maiden publication of Osian's publishing and design department.
Founder and chairman of OSIAN's Neville Tuli was in conversation with the superstar.
Bachchan, clad in a pink shirt and a black velvet blazer, cut an amenable figure as he fielded queries from his host and the audience alike.
"Indian cinema is gaining global acceptance. I was in Paris two weeks ago for Salon Du Cinema, a festival of world films, where India and my family were the focus this time.
"I realised that the Indian movie industry was being acknowledged and Hindi movies were being shown on television channels in countries like France, Germany and all over Europe - even in those European nations where there had been no awareness about Indian movies before.
"If you want a personal and an honest opinion, I think Indian movies are paramount. They don't fall short in any way globally - be it in terms of cinematography, content or the cast. I am very happy with the kind of movies we are making. The Oscar is in its place - the fact that they have decided to nominate one of our artistes is heartening," Bachchan said.
The superstar held forth on a variety of subjects - ranging from his relationship with his son, reading habits, concern for junior artistes in Mumbai, secular fabric of the country and his own life.
Striking a patriotic note, the Bollywood veteran said he was proud to be a movie star.
"I'm proud to be in the profession because once people walk into a movie theatre they forget the identity of those with whom they are sharing the hall. You do not ask if the person seated next to you is a Hindu, Sikh, Christian or a Muslim.
"We watch the same emotions, cry over the same grief and sing the same songs. I think the integrated India lies inside the movie halls of this country," Bachchan said.
The superstar was emphatic that his angry young man image, which had a created a new metaphor in Indian cinema after his hit action movie, "Zanjeer", was not setting a violent precedent among the youth.
"For every angry young man, I have played a benign Anthony bhai ("Amar Akbar Anthony"). The maximum violence as I read in the papers happens in Bihar," he said.
"The history of this country is more than 1,000 years old - I don't want to look down upon the younger generation. You have to give space to each generation to progress," he said.
As a model citizen of India, Bachchan said his dream was to ensure that every Indian should know, understand and follow the Constitution and work together for an integrated country - especially in these troubled times of terror.
Sambhavna shocks Harman, Kisses him
Now we all know how much Sambhavna Seth loves publicity. |